Kabaret’s Prophecy
Kabaret’s Prophecy
A couple of years ago I walked into Mountain in Soho. Strolling into the hottest restaurant in London, as it was then, was never going to produce a table. Except, miracle of miracles, they had something downstairs.
After five minutes the déjà vu hit. After ten I realised where I was.
Twenty years earlier I’d have been sitting in the best nightclub in the world: Kabaret’s Prophecy.
It was born of a cash and carry, I’m guessing in Park Royal or Scrubs Lane. Shimshad Khalid was the son of one of London’s biggest booze wholesalers and presumably had a brainwave: why don’t we start selling Cristal and Krug to ourselves?
Then something strange happened. He went cash berserk. He found the perfect little site off Golden Square, hired David Collins to create the most groundbreaking, visually arresting club on the planet, and made Dom Pérignon the house wine. It was so far ahead of its time, I’m not sure we’d be ready for it even now.
The whole of London trying to squeeze into one tiny club became problematic. But for a brief, glorious spell in the noughties, London had its Studio 54, and it popped off.
As Timo, their hilarious promoter, would put it in his central-casting camp commandant accent: “Dictatorship on zee door, democracy on zee dance floor.”
He couldn’t have captured it better.














